As You Like It

I was all set to fall in love with Kenneth Branagh’s direct-to-video AS YOU LIKE IT, set in a trading colony in Meiji Japan. I’ve been a fan of Branagh’s work since I saw HENRY V in college, and I’ve had a thing for Japanese culture since I read James Clavell’s _Shogun_ in the 7th grade. Thus, when I fired up this version of AS YOU LIKE IT while staying in a hotel outside of Yokohama (coincidentally, the site of the Meiji trading colony), it seemed like the perfect combination of material and viewer.

Alas, not even Brian Blessed, Alfred Molina, and Kevin Kline could save this slow, plodding, and unsatisfying film. The film’s Anglo-Japanese setting doesn’t really work, its pacing could have used some help in the editing room, and I had a sense of the film’s self awareness that this was, indeed, Shakespeareit was giving us. As written, AS YOU LIKE IT is great fun, but this production seems to miss the point.

I’m not sure what’s happening with Branagh. His star shined so brightly, but it has been guttering these last several years. Where’s the confident, exciting filmmaker of HENRY V, DEAD AGAIN, and MUCH ADO ABOUT NOTHING? I haven’t seen his remake of SLEUTH yet, but Time magazine’s impression does not look promising. What did he lose along the way?

Well, whatever he lost, he didn’t find it while making this latest AS YOU LIKE IT. Move along. There’s nothing to see here.

The Taming of the Shrew

Liz. Dick. A young Michael York. What's not to like?

Quite a lot, actually. While the Zeffirelli TAMING OF THE SHREW looks great with its stunning sets and costumes even Joan Crawford would envy, this movie fails to take flight. I posit two reasons. First, I just couldn't buy Richard Burton's Petruchio. Burton plays Petruchio as a man long on bravado, but I never got the sense that he knew what he was doing or that he possessed the resolution and cruelty that the role requires. Perhaps it was the actor's decision to grin like a monkey throughout the production; it's hard to say. Second, the film takes too much time with its setup and not enough with the actual taming. When the last act shows us the depth of Katherine's retraining, we don't buy it because we didn't get enough of a sense of her sufferings.

I wanted to like THE TAMING OF THE SHREW. I really did. Unfortunately, Zeffirelli's is one of the less satisfying of play's incarnations that I've seen.