Tuesday, October 13, 2009

Before the Rain


We humans, all around the world, we have so much in common. We love to divide ourselves into tribes and find reasons to kill one another.

BEFORE THE RAIN is a film about people killing one another in Macedonia. The Christians hate the Muslims for atrocities committed under Muslim rule. The Muslims hate the Christians for atrocities committed under Christian rule. UN observers observe, and they bury the dead, and people in nice places like London natter on about standing up for peace. But as one Macedonian observes, “Look around the world. Peace is the exception, not the rule.” And you know what the saddest part is? This film could have been set in Sudan, or in the Kashmir, or in the Colombian mountains, or on the wrong side of the tracks in virtually any major city in the world.

BEFORE THE RAIN tells its story in three parts. The first, “Words,” centers on an Orthodox monk and the refugee whom he shelters. It’s about what we say and don’t say, and how the right or wrong word is life or death. The second, “Faces,” tells the story of a London photo editor and the men she loves, and why. It speaks to the gap between the civilized and uncivilized worlds, and how that gap is often smaller than we wish to acknowledge. The third, “Pictures,” is about intentions and the conflict between human aspiration and human nature. The chapters work as individual stories, but together they create a heartbreaking film about not just ethnic strife in Macedonia, but about elements of the human condition that have been rending hearts ever since the first primate picked up a stick and used it to club some other primate from the next tribe over.

What a sad, beautiful, compelling movie.

Sunday, October 11, 2009

Goodbye Solo


An old man gets into a cab. He gives the driver $100 and tells him that he’ll pay him $1000 to pick him up in one week, drive him to a cliff, and leave him there.

The man is William, played by Red West with all the wear and all the fire that one might expect from Elvis’s old fixer. The cabbie is Solo played by Souleymane Sy Savane in a performance that takes a standard issue Noble Immigrant role and fills it with life.

The film is a quiet study of two men, one fatigued and one indefatigable. Their scenes together, in the cab and out of it, are filled with a quiet power. Demonstrating once again that the human face is the most interesting subject in the world, GOODBYE SOLO takes the time to allow us to get to know these faces, get to know the people behind them. It works, for we find ourselves hanging on every word. We find ourselves hoping, for both men.

This is a good movie, sure and steady, with organic developments and a strong sense of place. I’m glad I saw it.