Sunday, January 26, 2014

Daleks - Invasion Earth 2150 AD


Daleks – Invasion Earth 2150 AD is the second of two mid-sixties British films based on the long-running television series 'Doctor Who.' While today's 'Doctor Who' follows the contemporary norm of mostly self-contained stories loosely tied into season-long arcs, the '60s version consisted of 6 episode serials. Daleks – Invasion Earth 2150 AD is a loose adaptation of one of these serials, a six-parter from 1964 entitled “The Dalek Invasion of Earth.” Why a loose adaptation? This film, while a licensed 'Doctor Who' property, was never meant to be part of the series' canon. It deviates from the show's bible in some significant ways and pretty much does its own thing.

How does it deviate? Most importantly, it changes its protagonist. In the early series, William Hartnell's Doctor was a brilliant, irresponsible, and sometimes cowardly alien fugitive who had stolen a space/time machine and run off to see the universe with his teenaged granddaughter. In the film, Peter Cushing's protagonist calls himself Dr. Who. He's a brilliant and benign human scientist who has created a space/time machine and is using it to show his adult niece and ten(ish) year old granddaughter around history.

This Doctor Who is meant for 75-105 minute feature films, not long-form drama. This is fine, of course. The real question is how well it works.

To properly answer this question, I think the viewer must keep in mind what the film is trying to accomplish. It's a low-budget British action movie for children who like 'Doctor Who.'

To that end, Daleks – Invasion Earth 2150 AD does a perfectly respectable job of giving its audience heroic resistance fighters, despicable Dalek aliens, laser guns, and a nice Saturday afternoon's worth of spectacle. Peter Cushing is always wonderful, Bernard Cribbins (who would, in later life, become a series regular) makes a solid hero, the story rocks along pleasantly, and everyone goes home happy. Daleks – Invasion Earth 2150 AD is, in its own way, a fine example of its time, place, and genre. I enjoyed it for what it was.