The Kingdom

THE KINGDOM, a mystery / cultural thriller set in the Kingdom of Saudi Arabia, follows an FBI team that receives permission from the Saudi royal family to assist in investigating a terrorist attack on Westerners living in a company compound. Complications ensue, and we’re on our way to great investigation of the clash of Muslim and Western culture. That is, until director Peter Berg decides that we in the audience are idiots who won’t sit still for a good story unless a kickass gun battle breaks out.

I’ve spent a fair amount of time in the United Arab Emirates, but I’ll admit to a bit of cultural prejudice. While I’ve never been treated with anything other than friendliness and respect, I never walk down the street without maintaining a complete scan of my environment and I never walk down back alleys. And that’s the UAE, where Saudis come to party. THE KINGDOM takes the sense of unease a Westerner can feel in a Gulf State and dials it up to eleven, perfectly capturing that sense of alertness, that sense of feeling like a somewhat unwelcome guest who’ll be tolerated nonetheless.

And then it throws the achievement away with a professional but pedestrian climactic battle that, seemingly, comes out of nowhere. Here we are plumbing the subtleties of the Arab mind and having a fine time doing it, then it’s all RPGs and bubblegum philosophy about turning the other cheek. Ah, well.

Two observations that I couldn’t manage to work into the body of the review: #1, Danny Elfman’s score is phenomenal. #2, Danny Huston’s “slimy guy” schtick is getting old. C’mon, Danny, you were great in THE PROPOSITION! Choose more roles that show off your range!