Showing posts with label The Hobbit: The Desolation of Smaug. Show all posts
Showing posts with label The Hobbit: The Desolation of Smaug. Show all posts

Sunday, January 25, 2015

The Worst of 2014

I’ve been putting off writing this post.  I only see movies I think I’m going to enjoy, and I take no pleasure in dissing any particular film.  After all, it takes incredible chutzpah to release any kind of creative work, hanging your creation out there for all to see.  I respect anyone who makes anything, and especially respect anyone with the combination of talent, skill, leadership ability, and business sense required to make a feature film.  Nevertheless, anyone can misfire.  Here are the misfires I saw in 2014.


10.  Elysium:  Possibly the ugliest film I’ve seen in years, Elysium dares tell the world that rich people are bad.  This is particularly brave, given that this is a major studio production.  Somewhere in Hollywood, rich studio executives, a rich director, and several rich movie stars all decided that telling the world they’re bad people was a good idea.  Oh, what’s that?  They meant *other* rich people?  I get it.  Well, at least they served up their hypocrisy with a serving of ‘splosions.

9.  Silver Linings Playbook:  This film got accolades during last year’s Oscar season.  I don’t get it.  90 minutes with people who know how to communicate only by lying or shouting is 89 minutes too long.  I couldn’t get to the credits fast enough.

8.  Ted:  A 10-minute sketch stretched into a 90-minute feature, this film's premise wears out its welcome less than a third of the way through.  I don’t understand how anyone could have read this screenplay and said, “This is a film I want to make!”

7.  The Incredible Burt Wonderstone:  Another failed comedy, The Incredible Burt Wonderstone is based on the assumption that audiences enjoy watching hateful characters treat one another poorly.  If I wanted that, I’d see Silver Linings Playbook again.  At least that movie doesn’t pass itself off as something trying to be funny.

6.  The Hobbit: The Desolation of Smaug:  This big-budget action-adventure actually put me to sleep during its climax.  At least numbers 10-7 on this list kept my attention, in a train-wreck kind of way.

5.  Room 247:  This amateurishly made film about Stanley Kubrick’s The Shining has absolutely nothing to say.  It’s like being stuck with the crashing bore at a party.  I’m fascinated by The Shining and was looking forward to learning about its production.  Instead, I got conspiracy theories and stock footage.  Ugh.

4.  Robot & Frank:  Here’s another film that failed at its most basic function: to entertain.  I fell asleep roughly halfway through this film about a disagreeable man doing bad things.  When I woke up, I realized that I had missed absolutely nothing at all.

3.  After Earth:  I couldn’t even get through this one.  I’m sure Jaden Smith is a nice kid who’s trying to make it in the family business.  Unfortunately, he isn’t ready yet.  He lacks screen presence, and I just couldn’t get invested in his character’s journey.

2.  The Heroic Trio:  Such a sad waste of the talents of the queens of mid-‘80s Hong Kong kung fu cinema.  Not even Michelle Yeoh, Anita Mui, and Maggi Chung can enliven this poorly shot, amateurishly choreographed, laughably bad movie.


1.   Pain & Gain:  As I understand it, this film was Michael Bay’s pet project, a low-budget comedy that, presumably, came from the heart.  Michael Bay’s heart must be a cold, dark place.  Pain & Gain revels in stupidity, cruelty, and a pervading cynicism that made me feel like a terrible person just for watching it.  The world is a worse place for the presence of this film.

Wednesday, December 03, 2014

The Hobbit: The Desolation of Smaug

I am the target demographic for The Hobbit: The Desolation of Smaug.  I still have a 35-year-old copy of the source novel that has followed me from move to move.  I loved the Lord of the Rings trilogy, and I bought the extended editions of all three of those films on DVD.  Heck, I even loved the generally unappreciated first ‘Hobbit’ film, An Unexpected Journey.

Desolation of Smaug is different.  I fell asleep during the climax.

By the time the film got our titular hobbit to the treasure-laden lair of the dragon Smaug, it had taken so many detours that I’d lost interest.  A love triangle featuring two elves and a dwarf?  That idea never should have escaped the world of slash fiction.  A tedious backstory about a heroic ferryman and his family’s legacy of dragonfighting?  Meh.  Gandalf and Radagast investigating the possible appearance of the villain from The Lord of the Rings?  At least it wasn’t trade negotiations. 

And on and on and on and on.  The Hobbit: The Desolation of Smaug felt so bloated and meandering that it failed to generate any propulsive energy.  I began the film caring about our Hobbit’s quest to find Smaug’s mountain, but by the time the last MacGuffin showed up (some kind of glowing gem that the dwarves want), I’d lost interest and felt the need to rest my eyes.


All this means that The Hobbit: The Desolation of Smaug, failed in its core mission: entertaining its audience.  I didn’t actively hate it, but I grew so bored I don’t even know whether I’ll queue up its final sequel, The Hobbit: The Battle of the Five Armies.  It’ll take one heck of a critical reception to make me change my mind.