Chef

Funny and kind, Chef is a feel-good movie that sent me home with a smile on my face.

In the film, John Favreau plays a workaholic chef. He's divorced. He doesn't spend enough time with his son. He works for a restaurateur who's a businessman first and an epicurean second. He's miserable. When he loses his job and must start anew with a dilapidated food truck, things seem about as bad as they can get.

And then he remembers how much he loves cooking good food for people who appreciate it. Oh, and he bonds with his son, finds happiness, and so forth (That last sentence isn't a spoiler unless you've never been to the movies before.).

Think of Chef as cinematic comfort food, the motion picture equivalent of a grilled-cheese sandwich. Now, a grilled-cheese sandwich can be Velveeta on Wonder Bread hot off the Foreman Grill, or it can be a carefully chosen mix of cheeses on fresh-baked bread and grilled -just so- on a hot skittle with hand-drawn butter. Chef is the latter. It's genuinely, laugh-out-loud funny not just in its acting, but in its composition and editing. It boasts characters of depth and heart, people you'd be happy to call your friends. It photographs food and the process of its preparation with delight. It's just a joy, and it's putting a smile on my face even now, as I write about it days later.

See Chef and be happy.

X-Men: First Class

Holy cow.  X-Men: First Class is actually good!

Some background: I never got into superhero comics.  Everything I know about the X-Men I’ve learned from going to the movies.  Consequently, my last exposure to the X-Men universe was through the odious Wolverine.  When I went in to this one, my expectations were low.

Here’s the setup: it’s the Kennedy Administration.  A dude with groovy brain powers recruits a coldblooded revenge killer to join Team Good.  As one may imagine, things do not work out as groovy brain guy might have preferred. 

The film hangs a pretty good story on that frame, helped along by fun period work, seamless effects, well-directed action set pieces, and the revelation that the amazing young actress from Winter’s Bone looks great naked.

The consensus among my filmgoing friends is that X-Men: First Class is average, at best.  I don’t get it.  I had more fun at this film than any other superhero film released this year.

Frost/Nixon

FROST/NIXON captured my imagination from beginning to end. It took interesting people through definitive moments in their lives and the life of the nation, immersed us in their stories, and executed the impossible task of generating tension in a scenario whose conclusion we already know. And it does it while avoiding the talkfest trap so common to adaptations of successful plays.

Look, Nixon's interesting and we all know Frank Langella can act. So the movie's two strikes up in the count coming right out of the pen. But David Frost, the vapid talk show host who gets lucky with a big fish? And Michael Sheen to play him? Well, Sheen's a revelation. In THE QUEEN, he *was* Tony Blair, with all that entails. In FROST/NIXON, he does a David Frost whose shallowness hides depths of ambition and desperation that may be hidden even to himself. This guy's got range, and he also just got on to my "actors to watch" list. He makes David Frost, cheeseball tv performer, a hero the audience can get behind, and we relish the comparisons and contrasts with Langella's controlled, savvy, but lost Nixon.

Director Ron Howard handles those comparisons and contrasts, the heart of the movie, simply enough for a mainstream audience yet maturely enough for smart people like us. His direction, never flashy, borders on documentarian; and it gives the picture the realism it needs while remaining cinematic.

This is a quality film.

Kinsey

Liam Neeson stars in 'Kinsey,' but Laura Linney walks away with the picture.

Linney plays Clara, a character who goes from bright young grad student to steady grandmother, and whose life transitions we accept every step of the way.

Don't get me wrong: Neeson is a fine Professor Kinsey, and at no point did I not buy him in the character. It's just that while his character had a more dramatic life than Linney's, hers had a richer inner life.

The movie itself is full of surprises. First, the supporting cast is absolutely first rate. I mean, look at this slate: Timothy Hutton, Peter Sarsgaard, Chris O'Donnel, Heather Goldenhersh (who plays a minor part well, as she did in 'The Merchant of Venice'), John Lithgow, Tim Curry (who doesn't ham it up, for a change), Oliver Platt, Dylan Baker, and Veronica Cartwright, among others. Second, I absolutely expected Curry to twirl his moustache and collude with Kinsey's boss to make life tough on our protagonist: didn't happen. Third, the movie deftly handles its own subject matter, finding an adult footing without veering into sensationalism.

Well done, Mr. Condon. I look forward to seeing your next film.