Wednesday, August 29, 2007

Flushed Away


Poor Hugh Jackman. The guy's trying to be a movie star: he really is. He made a romantic comedy with Meg Ryan, an action movie with Stephen Sommers, even a prestige picture with Christopher Nolan. What does he have to show for it? More flops than a skid row hotel. FLUSHED AWAY, with Jackman voicing the lead, was another in the long list of studio loss-makers. Check off "kid's film," Hugh. Perhaps you'll have better luck in a zombie movie.

FLUSHED AWAY looks like a successful kid's movie. It's structured like one, with all the beats, gags, and character moments we'd expect, and it's a perfectly fine entry in the genre. It's lacking something, however - that heart, that hook, that special something that makes it the kind of picture you don't mind seeing again and again. Here's the setup: Roddy (our hapless Hugh) lives the sweet life in Kensington, which, I infer, is a posh London borough. He's a housepet, and a happy one, until circumstance conspires against him and he's literally flushed away into the London sewers. There, he discovers Rat Culture, finds a place in it, and even defeats the evil Mr. Toad (whose toadies include Le Frog, whose henchmen respond to the command, "Fight like Frenchmen!" by raising their hands in surrender).

The movie's visually rich, it has gags galore, it features character design in the beloved Aardman style, and it feels like the kind of thing that went through committee after committee until every cog in a soulles creative machine was happy with the output, right down to the musical number that closed things out. There's no "there" there and, compared with a masterpiece like RATATOUILLE, FLUSHED AWAY is merely a trifle, something to sedate the kids while you mow the lawn.

Better luck next time, Hugh. And really, think about that zombie movie. It might finally put you over the top.

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