Wednesday, April 11, 2007

Hollywoodland


HOLLYWOODLAND redeems Ben Affleck's career.

Here's a guy who started out strong, then went downhill fast. From the unwatchable ARMAGEDDON to the criminally bad DAREDEVIL, Affleck's career had gotten so far away from the promise of GOOD WILL HUNTING that, frankly, his name on a marquee had become a reason to avoid a movie. And so I planned to avoid HOLLYWOODLAND, regardless of the involvement of such luminaries as Diane Lane and Bob Hoskins. At least, I planned to avoid it until I read the critical reaction to the movie.

HOLLYWOODLAND is two movies: one excellent, one mediocre. The mediocre one, a noirish detective picture featuring Adrien Brody investigating the apparent suicide of one George Reeves, serves to inform and access the excellent film, the one about Reeves himself. Affleck portrays Reeve with a combination of bravado, resignation, and desperation that's touching, sad, and altogether sympathetic. I felt for this guy, rooted for this guy, bled for this guy. I never thought an Affleck performance could make me feel that way.

Here's the deal: George Reeves got lucky early with a respectable supporting role in GONE WITH THE WIND. He couldn't build on that role and get his career rolling, and the movie introduces him at a lousy table in a first-class nightclub, trying to get noticed by the directors and studio heads who could give him a break. He does get noticed, but by a one Mrs. Mannix, played by Diane Lane. He and Mrs. Mannix fall for each other, which might even help the earnest George: Mr. Mannix (Bob Hoskins) is a studio head, which means Mrs. Mannix might be able to land George a job.

She does, but it's about the most loathsome job the ambitious young actor could hope for: a career-defining (and killing) role as Superman in a wildly popular children's television show. Reeves gamely tries to play the hero, but he knows that he's a long way from GWTW, and he can't get over the disappointment.

And that's not even the heartbreaking part. Because when that gig ends and he's been thoroughly typecast, where does he have to go? The answer, and the black-and-white reel in which we see him give it his best shot, just plain broke my heart.

So, there it is. I forgive you for DAREDEVIL, Ben. Now get back out there and show us what you can really do.

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