Showing posts with label Rob Brydon. Show all posts
Showing posts with label Rob Brydon. Show all posts

Thursday, February 05, 2015

Three Quick Bites

The Palm Beach Story

The AV Club published an excellent piece on this wonderful film last month.  Here's a link.

The Trip to Italy

Did you like The Trip?  Based on my brief review, do you think you’d like The Trip?  Well, then, you’re sure to like The Trip to Italy, which is exactly the same as The Trip, but to Italy.  What are you waiting for?




Viva Las Vegas!

Man, I don’t know.  Elvis may be one of the greatest vocalists in the history of recorded music, but he comes across as a nonentity on film.  Ann-Margaret may be a talented and beautiful woman, but she comes across as a feral force of nature who’d eat this Tupelo yokel for lunch.


Viva Las Vegas! tries to build a romantic comedy with these two, but I never bought it.  Elvis seemed like a doofus, Ann-Margret kind of scared me, and the whole thing only comes alive when The King sings one of his many numbers.  Viva Las Vegas! doesn’t work as a film, but I’d listen to the album.

Tuesday, April 30, 2013

Recently Seen - 30APR13

Folks, I doubt I'll have any time for recreational writing for about another year or so.  Nevertheless, for my own records, here's what I've been watching:

Biutiful

Just two hours of agonizing pain.  This movie was recommended to me by a dear friend whom I think must be mad at me for some reason.

Despicable Me

Everyone in my family loved this movie but me.  I just couldn't find a reason to care about the protagonist.

Brave

A beautiful, entertaining, tear-jerking success.  If my younger kids didn't find the bear so terrifying, I'd purchase the Blu-Ray.

The Woman in Black

A competent ghost story with an unsatisfying ending, The Woman in Black really knows how to deliver the atmosphere.

Henry Rollins: Live at Luna Park

I've discovered that I like the idea of Henry Rollins more than I actually like watching Henry Rollins.

The Trip

Steve Coogan and Rob Brydon drive around Northern England and give each other a hard time. My wife and I both laughed merrily throughout this movie while simultaneously enjoying its underlying pathos.  A gem.

Wednesday, February 11, 2009

MirrorMask


MIRRORMASK. Hmm.

Dave McKean’s unsettling ‘Sandman’ covers got me interested in this picture. What would an entire film made with McKean’s sensibility look like? Well, I’m here to tell you that it would look like a moving ‘Sandman’ cover.

Unfortunately, McKean’s vision is about all this film has going for it. MIRRORMASK is a rather conventional quest tale, set in a land very much like the Dreaming, that spends all of its time looking fantastical and spends very little time creating people we care about and giving them urgent, interesting things to do.

But hey, this is a PG movie and it’s essentially a kids’ story, so it must be ok to share with the little ones, right? Wrong. My youngest started crying about three minutes in, and I’m glad I saw the rest of the film alone. Many of McKean’s visions are nightmare-inducing, and I just don’t need to wake up to screaming children in the middle of the night.

So, there it is. Scary and rather dull, MIRRORMASK is a film I could have done without.

Wednesday, August 23, 2006

Tristram Shandy: A Cock and Bull Story

I saw this one in the wee hours last night. I respected it more than I enjoyed it.

Don't get me wrong. The film has plenty of amusing moments, and I grinned more than once, but it worked more as a thought experiment than as a narrative comic film. The movie itself weaves into and out of the making of an adaptation of TRISTRAM SHANDY, sharing more in common with DAY FOR NIGHT than any period drama. The film helpfully informs us that TRISTAM SHANDY: A COCK AND BULL STORY was a postmodern novel in a time before the invention of modernism. Further, it makes it clear that very few people involved in the making of the movie have actually gone to the trouble of reading the book. That's amusing as far as it goes, but I think the film still requires a certain familiarity with the subject novel in order to get all of its gags and its insights.

If you're an anglophile, you may very well love this movie. If you have an abiding passion for postmodern literature and film, you may very well love this movie. If you respect and encourage experimentation, you'll respect this movie. And respect is good enough for me.