Recently Seen - 30APR13

Folks, I doubt I'll have any time for recreational writing for about another year or so.  Nevertheless, for my own records, here's what I've been watching:

Biutiful

Just two hours of agonizing pain.  This movie was recommended to me by a dear friend whom I think must be mad at me for some reason.

Despicable Me

Everyone in my family loved this movie but me.  I just couldn't find a reason to care about the protagonist.

Brave

A beautiful, entertaining, tear-jerking success.  If my younger kids didn't find the bear so terrifying, I'd purchase the Blu-Ray.

The Woman in Black

A competent ghost story with an unsatisfying ending, The Woman in Black really knows how to deliver the atmosphere.

Henry Rollins: Live at Luna Park

I've discovered that I like the idea of Henry Rollins more than I actually like watching Henry Rollins.

The Trip

Steve Coogan and Rob Brydon drive around Northern England and give each other a hard time. My wife and I both laughed merrily throughout this movie while simultaneously enjoying its underlying pathos.  A gem.

Choke

I didn’t know that Sam Rockwell existed before I saw this: http://www.youtube.com/watch?v=J1LWg1jFp4E . It’s amazing how one video can catapult a guy into near – CDNW territory. In CHOKE, an adaptation of Chuck Pahlaniuk’s novel about a historical reenactor / sex addict / possible cloned son of Jesus Christ who, um, well, let’s just leave it at that, Rockwell seals the deal. Ok, I’ve only seen a few of his pictures, and I didn’t even particularly like his portrayal of Zaphod Beeblebrox, but to hell with it – Sam Rockwell Can Do No Wrong.

Why? Because he takes this tragic, deeply flawed, possibly irredeemable man and makes him the funniest comic character I’ve seen since Jason Segel in FORGETTING SARAH MARSHALL. And he does it not in a comedy that lurches from set piece to set piece, that works the old rhythm of setup – payoff – setup – payoff, but in a quirky and interesting character study of the kinds of people we avoid in real life but are great fun to hang out with on the silver screen. CHOKE is an adult comedy in that, sure, it has sex and profanity and all that kind of stuff; but CHOKE is an adult comedy because it operates with adult and finds its humor in people, places, and actions that it takes a few miles on the odometer to appreciate.

And Rockwell, he knows how to tread the line between villain and rascal. He knows how to be funny while acting dead serious, and here he creates a character so serious that we can’t help but laugh. I rented CHOKE on the strength of his name on the poster, and he doesn’t disappoint. This is my comedy to beat for 2009.

No Country For Old Men

NO COUNTRY FOR OLD MEN devotes most of its screen time to a character who is not its protagonist. Llewellyn Moss (Josh Brolin) looks like the hero of this movie, acts like the hero of this movie, but wasn't ever the hero of the movie. Sherriff Ed Tom Bell (Tommy Lee Jones) is the hero of this movie, for NO COUNTRY FOR OLD MEN is a story about a man facing the fact that his whole life has been dedicated to pushing against a river. Not a tide, mind you, but a river, as illustrated by Ellis's story of the Apaches and Ed Tom's grandfather.

It's no country for old men, because old men have lived long enough to see their illusions stripped away; and the brutal reality behind those illusions can be too much to live with. The book, and the film, is about Ed Tom reaching that point in his life. The story, in both media, breaks my heart.

On another tack, I found the film to be a faithful rendering of one of my favorite novels. Its changes did not violate the themes of the story, and I sensed that the Coen brothers "got it," as they often do. I bought every single one of its characters, including Harrelson, whom I was inclined to doubt after reading the criticism of him here on the Balcony. I bought the milieu, the presentation, the whole package.

This is a film worth seeing.

The Hitchhiker's Guide to the Galaxy

THE HITCHHIKER'S GUIDE TO THE GALAXY is consistently amusing, occasionally hilarious, and always gorgeous.

Here's the setup: Arthur Dent's home is about to be destroyed, and there's nothing he can do to stop it. Sure, he lie down in front of the tractors positioned to destroy his house, but that won't stop the Vogon demolition fleet positioned to annihilate the Earth. Though it's a bad day for Earth, it's a great day for Arthur, however. His strange buddy, the one who doesn't quite fit in, turns out to be an alien. To make matters better, he's an alien who writes for _The Hitchhiker's Guide to the Galaxy_, and he shows up just in time to help Arthur hitch a ride to, well, the galaxy.

The next 80 minutes or so bring us the horrors of Vogon poetry, a new definition of the technicolor yawn, the best extended riff on our sitting President I've yet to see in a motion picture, and the Ultimate Answer to the Ultimate Question of Life, the Universe, and Everything. Oh, and we find out who made the fjords. He won a prize.

Though the movie breaks down a bit during the second act, it pulls itself together admirably well and closes on a very strong note. I expected this movie to be reasonably amusing, but it wound up making my day. Have fun.

So long, and thanks for all the fish.

PS While watching this movie, I couldn't help but compare it to I HEART HUCKABEES. IHH purported to be an existential comedy, but it was really a comedy about self-importance. THHGTTG is the real thing.

Nanny McPhee

I absolutely adored Emma Thompson's NANNY MCPHEE.

The film takes a reliable formula, a nanny shows up and squares away an intractable household, and works magic with it. Emma Thompson is marvelous as the titular nanny, Colin Firth turns in fine work as the hapless widowed father, Kelly MacDonald is utterly luminous as the scullery maid with a fairy-tale ending in store for her, and brilliant actors Angela Lansbury, Derek Jacobi, and the young Thomas Sangster prove that there's no such thing as a small role.

NANNY MCPHEE looks great, with a palette that reminds both that we're watching a fairy tale and that, in this world, everything will turn out fine. Its Thompson - penned dialogue sparkles, Patrick Doyle's score perfectly complements the action, and the film's ending is remarkably satisfying. This film does everything it sets out to do, and it does it with uninetrrupted excellence. Watch this one with the kids, or watch it alone - regardless, everyone in the room is guaranteed to have a good time.

While I'm writing about one of her works, allow me to take a moment to appreciate the remarkable career of Emma Thompson. When I first noticed her in HENRY V, she was just another beauty. From there, she went on to DEAD AGAIN, MUCH ADO ABOUT NOTHING, and HOWARD'S END, just to name a few. She took home a BEST ADAPTED SCREENPLAY Oscar for Sense and Sensibility, and her career hasn't slowed down since. She effortlessly moves from small pieces like THE WINTER GUEST to blockbusters like the HARRY POTTER series without missing a beat, and she's consistently smart, affecting, and wonderful in everything she does.

What a marvelous talent.