Top Five

Chris Rock’s Top Five is heartfelt and funny and a great time at the movies.

Here’s the setup: Rock’s character is a former comedian and comic actor whose attempts at dramatic film have fallen flat.  Now, on the eve of the opening of his latest film (a misconceived epic about the Haitian Slave Revolt of 1791), he’s juggling a ‘New York Times’ interview, promotion duties for his film, and his upcoming celebrity wedding extravaganza.  Oh, and he’s trying to stay sober.

The ‘New York Times’ reporter is Rosario Dawson, which robs the celebrity wedding storyline of much of its urgency, but that’s ok.  This isn’t a film about dramatic tension: it’s a film about one day in a man’s life, a crossroads day in which nothing blows up and nobody gets shot, but in which everything changes.

Watching it, I found myself comparing Top Five to Birdman, another film about an actor in crisis.  Both films feature a style of heightened dialogue in that everyone’s funny in the former and everyone’s overwrought in the latter.  But there’s a key difference: Top Five’s characters feel like real people saying real things, even when they’re clearly speaking for comic effect.  That naturalism draws us into the story, and it makes the jokes land.  This film may have a serious premise, but it’s also very much a laugh – out - loud comedy written by a genius.  It’s just wonderful.

No kidding: I laughed.  I cried.  I loved Top Five.  I look forward to seeing it again.

Unstoppable

I can't top Joe Lefors's thoughts on this film.  With his permission, here they are:


I just watched this movie, and it was awesome.
Things that could not stop the train:
*The fat guy from Remember the Titans and other movies where he played a fat guy.
*HUD from Cloverfield.
*A redneck welder with a large pickemup truck.
*Many, many people on walkie-talkies.
*A horse trailer.
*A train full of schoolchildren.
*A device specifically constructed to stop trains that will not stop.
*Rosario Dawson's saucy attitude.
*Helicopters.
*A dude being lowered from helicopters.
*MACHINE GUNS
*Boxcars on the tracks.
*A sharp turn in the tracks.
*Another train attached to the back of the train.
Things that could stop the train:
*DENZEL
*That guy who played Captain Kirk in the GayGay Abram$ Star Trek where the ship was built on land 

Death Proof

Kurt Russell, often the best thing about whichever movie he’s in, is easily the best thing about DEATH PROOF, Quentin Tarantino’s half of the GRINDHOUSE experiment. As the homicidal Stuntman Mike, he’s as charming, creepy, scary, pathetic, and just plain fun a villain as you could ask for. And he’s giving us this role in a film that defies narrative convention, dazzles with great practical stunts, and makes for a great time at the movies.

Here’s the deal: Stuntman Mike’s into vehicular homicide, using his superlative driving and technical skills to kill his female victims. When he targets a vehicle carrying stuntwomen, however, things don’t go his way.

And that’s pretty much it. The rest is a fun and creative misdirection gambit and an extraordinary sequence of stunts in, on, around, and with cars. It’s exciting, vibrant work, and I enjoyed every minute of it. Bring on more evil Kurt Russell!

Clerks 2

CLERKS 2 felt like Kevin Smith just gave up and said, "Screw it. I'll give the people what they want." It's only differences from the original are that it's filmed in color and it isn't quite as funny.

You know the setup: the titular clerks are now fast-food workers who, you know, have antics. The get in trouble. They crack wise. They have a touching moment of heartfelt conversation and clarity.

The movie's funny, periodically, but there's something stale about it. It's like watching a catskills comedian who simply doesn't get that the world has moved on - you may laugh from time to time, but you mostly feel sorry for it.

What a bummer.