Showing posts with label Paul Greengrass. Show all posts
Showing posts with label Paul Greengrass. Show all posts

Thursday, March 27, 2008

The Bourne Ultimatum


A short time back, a friend of mine opined that THE BOURNE ULTIMATUM was essentially the same movie as THE BOURNE SUPREMACY. While I agree that ULTIMATUM was nearly a remake of SUPREMACY, I didn't mind. I liked SUPREMACY, so more of that jump-cut action was fine with me.

The thing I like about the Bourne movies is that they make hard stuff look hard. The fights look like real, brutal fights for survival, not staged dances. There is no graceful parkour: running across rooftops is hard, and dangerous. People breathe heavily when they've been running or fighting, and actions have resonance. This is not a world of easy death or winking nihilism. This is a world in which real actions have real consequences, and I always enjoy visiting it.

Damon, Allen, and Strathairn are all top notch, and the filmmakers cared enough to get serious talents such as Paddy Considine, Albert Finney, and Scott Glenn for some of the smaller supporting roles. Yeah, the story doesn't go very far and the film doesn't resonate all that much, but it's a fun ride while it lasts.

Wednesday, October 11, 2006

United 93

UNITED 93 is the most harrowing time I've had at the movies since THE BICYCLE THIEF.

I don't know if I can attribute that to the strengths of the movie itself, or whether the reaction stemmed from my memories of the events of that day. I do know that UNITED 93 makes few missteps, using a documentarian style and low-key presentation to provide an immediacy to its proceedings. Additionally, UNITED 93 nailed the atmosphere and procedures of aircrft, air traffic control rooms, and military command posts - venues in which I've had some experience.

I spent roughly the first half in the movie in profound foreboding and the second half in profound horror. At no point did I lose interest or full investment in the proceedings, and I credit this to director Paul Greengrass's clear vision and directorial eye. UNITED 93 doesn't find scapegoats or go for easy stereotypes. Rather, it shows us how things were and, in those cases in which the reality remains unknown, it shows us how things plausibly could have been.

I loved this movie. Loved it. And I never want to see it again. Just like THE BICYCLE THIEF.