Showing posts with label Linda Cardellini. Show all posts
Showing posts with label Linda Cardellini. Show all posts

Friday, June 05, 2015

Avengers: The Age of Ultron

It’s probably not a good sign when you’re sitting in Avengers: Age of Ultron and thinking, “Y’know what was a really good Marvel movie?  Captain America: The Winter Soldier.  Where’s Robert Redford when you need him?”

Some background: I took my two older boys, ages 15 & 8, to see this movie.  I really wanted to see Mad Max: Fury Road, but fatherhood isn’t about getting what you want.  So, there we sat, popcorn and soda in hand, ready for some Whedon-y goodness.


[On further reflection, it probably wasn’t a good idea to let my 8-yr-old get the medium root beer, which would be a large in any sane world and contained roughly a metric ton of corn syrup.  After about fifteen minutes, he started to squirm, after 30, he was all over the place.  In thirty minute intervals thereafter, he left the (mostly empty) theater to run to the bathroom – probably more for the running than the actual bathroom.]


In the story, Tony Stark is basically Victor Frankenstein and the android Ultron his mad creation.  Unlike Frankenstein, Ultron doesn’t start out innocent and misunderstood.  It starts out evil, a fanatic who sees mass murder as a perfectly acceptable expedient enroute to utopia.  
And then there’s a lot of punching, plus a guy with a bow and arrow saying, “What am I doing here?  I’m just a guy with a bow and arrow!”  And people get hurt, and innocents get killed, and there’s a lot of angst, and it’s all so miserable that I thought I was in a DC movie.  In fact, it’s so miserable that, at the end of the movie, several characters just quit the team.  

Don’t get me wrong: the effects are great, the leads are likeable, and Linda Cardellini and Paul Bettany both shine in supporting roles.  But after two and a half hours, I wanted a little less recycled Shelly and little more Spider-Man learning to swing, or Star Lord disco-ing through space-ruins, or Robert Redford opening his fridge to find a bottle of Newman’s Own salad dressing on the top shelf.  I wanted some fun.  I wanted some laughs.  I wanted some moustache-twirling.  All I got were meditations on mortality, morality, and the use of denouments as leveraging tools in contract negotiations.


But, hey, my boys liked it.  As for me, I am honestly beginning to suspect that I’m getting too old for this stuff.



Saturday, January 26, 2008

Scooby-Doo 2: Monsters Unleashed


Some time back, I wrote this about SCOOBY-DOO: "Perhaps the greatest mystery is how this certain trainwreck turned out to be a fun, enjoyable picture."

SD2, while not a trainwreck, is bigger, louder, and not nearly as much fun. It falls victim to the sequel's standard pitfall: it gives us more and more and more of the same, but it doesn't give us much to hook our imaginations.

Bummer.

PS My child laughed all the way through it, so YSMMV. (Your Spawn's Mileage May Vary.)

Sunday, September 30, 2007

Scooby-Doo


Some movies have "disaster" written all over them. Take an old cartoon, mix in some minor-league actors, and modernize the
proceedings with a generous sprinkling of "hip" contemporary references, and you have a movie that can't possibly go right.
SCOOBY-DOO is such a movie.

Perhaps the greatest mystery is how this certain trainwreck turned out to be a fun, enjoyable picture. The picture begins with a sequence straight out of the vintage cartoons, then adds a few twists to generate dramatic tension. From there, it's on to the next mystery and the inevitable, "And it would've worked, too, if it hadn't been for you meddling kids!"

SCOOBY-DOO's cast members sell their roles, it's a pleasure to look at the movie's sets, and the whole thing is much more fun than I'd expected.

What a pleasant surprise!