Showing posts with label Catherine O'Hara. Show all posts
Showing posts with label Catherine O'Hara. Show all posts

Wednesday, September 19, 2007

Chicken Little


If CHICKEN LITTLE is set in middle America, why does the dad speak with a thick Brooklyn accent? The film establishes that said dad went to the same high school as the eponymous chicken, so ya think the accent might have dulled a bit around the edges, ya know? And here's another question: if you're Disney and you're making a decidedly average movie, do you really want to start it with references to THE LION KING and RAIDERS OF THE LOST ARK? Those are some pretty challenging points of reference you're putting out there.

Welcome to my inner monologue as I sit on the couch and watch CHICKEN LITTLE with my seven-year-old, who thinks it's hilarious.

Well, I'm not seven, and this movie had nothing to offer me. It had all the subtlety of a 2x4 to the nose, its music was forgettable, and its characterizations were the epitome of "meh." Am I saying that CHICKEN LITTLE is a bad movie? No, not really. I'm just saying that it's remarkably average. Sure, spend an hour and a half on the couch with it and your kids. But bring a magazine.

Sunday, February 25, 2007

For Your Consideration

FOR YOUR CONSIDERATION reunites the wonderful team that brought us WAITING FOR GUFFMAN, BEST IN SHOW, and A MIGHTY WIND for their weakest outing to date.

FOR YOUR CONSIDERATION follows the lives of the cast, crew, and miscellaneous fellow travellers associated with the sure-to-tank "Home For Purim," a disastrous collision of Tennessee Williams and anachronistic modern Judaism. Things are looking grim for all involved until rumours about possible Oscar nominations start flying on the internet. Then it's the race to sell out just as fast as possible, cowritten by a guy who starred in AMERICAN PIE 5: THE NAKED MILE.

FOR YOUR CONSIDERATION has several laughs, notably from the brilliant Jane Lynch as a Mary Hart -like entertainment anchorwoman, but its pessimistic and ultimately sad outlook on Hollywood and its people outweighs the levity of its subject matter and closes us on such a sad, sad note that we forget we're supposed to be watching a comedy.